CLEF NOTE: - "SPOTLIGHTS - Vol. #1"

During the early decades of jazz it was a customary procedure for jazz musicians to compose an original jazz tune or melody that was based on segments of their ad-lib solos utilizing the chord progressions of popular standard songs that were on the Hit Parade during that period of time.

 

**** Many of these original compositions have become future JAZZ standard tunes

which are often played by Jazz musicians worldwide. 

MISSOURI - "A WALK DOWN THE CORRIDORS OF JAZZ"

Kansas City, during the 1920's and 1930's was a wide-open, 24-hour town controlled by gangsters, that attracted musicians from all over the Southwestern region.

The city was filled with nightclubs, dance halls, vaudeville houses and juke joints that rocked the city from dusk until dawn, with jam sessions, which was a Kansas City specialty. These jam sessions lasted for hours and hours even though the prohibition laws were in effect.

Bennie Moten and his Orchestra was one of the most popular bands that was formed in the early 1920's. It was here that a young piano player named Bill Basie, from Red Bank, New Jersey, got his start in jazz.

The jam sessions played an important part of the careers of Lester Young, Hershal Evans, Coleman Hawkins, Charlie Parker, and vocalists Jimmy Rushing and Big Joe Turner who was a blues- singing bartender in one of the juke joints.

Most of these jazz clubs were small neighborhood bars located behind store-front properties that were located in a six block area that was centered by 18th and Vine Streets.

STAN ROSS - SAXOPHONIST ***SPOTLIGHT PERFORMANCE #2

-"I remember the first time I heard Stan Ross playing the Saxophone" –

It was back in the early 1970s at a Jam Session in South Jersey. The place was Schilligs Black Horse Farms Restaurant and Cocktail Lounge. This place was not only well-known for their food menu but also for the entertainment provided by  recording star Billy Duke & His Dukes  this house-band also featured name celebrities that always stopped-in to perform and take part of the entertainment. – Billy Duke (aka Bill Tesone) he and his brother Jazz bassist Ace Tesone were native South Philadelphians that played the entertainment circuit on both the East & West Coasts and Las Vegas. 

On the bandstand one evening, that was located behind a Large Bar in the cocktail Lounge section of the establishment. A jam session was taken place with various guest musicians from the Delaware Valley. Joe Fortunato who was the lead tenor sax man with Billy Duke’s six-pc combo invited me to sit-in to take part and play in a Jam Session for the attending large crowd that was requesting a sax- battle between the saxophone players.  While we played a swingin’ rendition of Lionel Hampton’s Flyin’ Home – Joe Fortunato invited another young sax man from the audience . . . his name was Stan Ross.  Stan came-up on the bandstand and joined us playing and swingin’ the familiar jazz standards that generated a crowd reaction from all the patrons who were sitting three deep at the bar.  

I was very impressed at Stan’s style of playing and professional manner in being a true Gentleman musician.  Joe Fortunato, Stan Ross myself and other members of the band spoke in conversation about the music business until the early hours of the morning. During our conversation’s Stan mentioned that the first time he heard Stan Getz who played with creativity and fluency of a tenor sax sound that was pure and clean. We all became friends and played again from time to time. There were times when our instruments needed repair. We would pay a visit to our mutual friend George Sarkis known as “The Doctor Of Horns” this gave us opportunity to meet other friends that included Ray Hyman . . . Ray was a friend that was responsible for the invention of “The Ray Hyman Saxophone Strap” which was distributed worldwide and used by the majority of leading saxophonists throughout the world. 

George Sarkis was like a father to Stan; while spending time in George's quaint shop waiting for the instrument repairs to be completed.   One day Sonny Stitt walked in with his alto sax repairs. He needed the instrument to be in excellent playing condition for his engagement at the SHOWBOAT Jazz Club. During the time George needed to make the repairs, Stan Ross and Sonny Stitt went next door to the (Musician’s Union – Local 77) for a quick lunch. 

   It was in 1972 – I had just returned from working on a road engagement in Florida. During this time, I was spending much time in Atlantic City with a Jazz trio that I formed which included drummer Pete Marsico and a young organist George Mesterhazy. While we were playing the various Atlantic City cocktail lounges and accumulated a large following of friends & music lovers. The idea was formulated . . . this production was to be our rendition of a saxophone jam session.  I called Stan Ross and distinctly wanted him to be part of a production “The Battle of the Saxes” which also would feature Joe Fortunato and our friend saxophonist Ray Fern. Stan agreed, and a special friendly relationship and bond of four local Philadelphia tenor sax men was the beginning of “The Philadelphia Four Brothers”

 ENCORE . . .

"Keeping Mainstream & Straight Ahead JAZZ Alive"

DON PHILLIPS - V.P - AMERICAN GUILD OF VARIETY ARTISTS

Another fond memory, was back in the early 1980's when close friend and associate Don Phillips, Vice President of American Guild of Variety Artists (AGVA) invited my colleague Guy Galante and me to attend a guest invitation at the world renowned Friars Club, located at 57 East 55th Street in New York City.

While at this dinner engagement, stopping by to say hello were numerous entertainers that included comedians Dick Shawn, Henny Youngman, and Jackie Mason. Don's association with many entertainers and musicians ranged from the small- time comics and variety acts to the biggest names in show-business plus all categories of musicians from the big bands to especially his favorites in the jazz community such as Dizzy Gillespie, Buddy Rich, Arthur Prysock, Woody Herman, Bobby Short, Count Basie and a countless group of jazz legends that included female vocalist's Sarah Vaughan, Billie Holiday and his longtime friend Ella Fitzgerald, who he often referred to as "Miss Ella." Don Phillips became a well-known personality in Atlantic City from the many years presenting the above acts and many others while serving as emcee and manager of the LeBistro Club, located on the corner of Pacific and Missouri Avenues next door to the famous 500 Club owned by "Skinny" D'Amato. His career began as a teenager singing and dancing which gave him the opportunity to perform on many stages on both the East and West coasts.  My association with Don was not only as a friend but we worked on many promotions and fund-raising community affairs for Atlantic City and surrounding areas-where Guy Galante directed and Don would emcee the events, which I had the opportunity to produce.  "The Big Band Explosion" was an event that filled Wildwood, NJ Convention Hall on July 4th, 1985.

 The show was a memorable happening that featured The Count Basie Orchestra, Directed by Thad Jones and Maynard Ferguson and his band on stage for this one-time event. To get these two bands together for a one-time appearance was an arduous task, because of their prior booking commitments that involved re-routing of their traveling schedules.

During the telephone conversations Don, Guy and myself had with Thad Jones and Maynard Ferguson, they assured us that there would be no problem in making the play date.  Maynard Ferguson had a few days off from his work schedule and The Basie Band was returning to the states from an engagement being played in Europe. An un-forseen incident occurred when the Basie Band had problems clearing Customs in New York City as they entered the USA.

I owe a debt of gratitude to my friend agent Larry Bennett who was able to secure an Executive Attache in order to escort the band through Customs on such a short notice. All-in-all the show was a success in drawing a large crowd that enjoyed the performance of these two legendary bands that ended with a jam session between Thad Jones and Maynard Ferguson sharing the spotlight of center stage as they rocked Wildwood's Convention Hall for "The Big Band Explosion."  Whenever, Don Phillips was in need of assistance with his promotions he knew he could depend and rely on Guy Galante and myself to lend a helping-hand whenever necessary. He also produced a sell-out concert with pianist Bobby Short at the Rainbow Room in New York City in which he was in need of television exposure in order to promote the show. Guy was a big help in securing the necessary exposure that was needed and I was able to help with the print media.

I happened to know that Don had a secret desire to go to Hollywood to make it in the movies. Well, he did make it to Hollywood and he was in a movie. His friend, comedian Jackie Mason was instrumental in getting him a part in CaddySack II. Before his sudden illness of heart problems in the early 1980's we were in the negotiating process with Sam DeStefano, Executive V.P. of the Playboy Hotel & Casino in Atlantic City, to produce a television series of 13 shows that was to eminate from the Playboy Casino.  The show was to be called "JAZZ ...One More Time" which was to feature many jazz legends such as Woody Herman, Thad Jones, Mercer Ellington, Buddy Rich, Sarah Vaughan and many others performing and talking candidly about the future of jazz and the music industry. During this period, Don also contacted another one of his colleagues, radio personality William B. Williams who was a longtime friend to Frank Sinatra. William B. agreed to make scheduled appearances on the show throughout the series to share interesting anecdotes and friendly stories about Frank Sinatra plus some of his own personal experiences as a radio personality.  Unfortunately, the timing, scheduling and ill-fated illnesses of occurances happened to many of the key-players that the project was never able to see the light of day. To this present day . . . I still get inquiries from some of the interested investors that were to take part in the financial backing of such a project.  They want to know if the possibility of resurrecting the production is feasible. Well, my reply has been, that I firmly believe it is virtually impossible to produce such a quality package since the music business and jazz has changed drastically and most of the traditional jazz legends male and female are no longer with us.  So consequently, the project has been put on hold for the time being. But, the intentions of producing a quality series package still remains.  The consideration of a multi-media computer project utilizing vintage jazz film footage and personal interviews with some of the greats in jazz has been discussed and negotiated with these potential investors who have a warm feeling in their hearts for this American Art Form called ... JAZZ - in "Keeping Mainstream  JAZZ Alive."

Stay tuned ... 

MICHIGAN - "A WALK DOWN THE CORRIDORS OF JAZZ"

As far back as the 1800's the African- American musicians that lived in Detroit played a very important role in the entertainment scene. Throughout the years the many changes in music that has shifted from society bands, rhythm & blues, to jazz, this city is predominantly known for the Motown sound. Although known for its contribution to the commercial pop field, Detroit and surrounding areas has also produced an enormous number of jazz musicians, many of whom later moved to the Big Apple in order to attain their portion of success.

During the 1950's and mid-1960's many jazz musicians and vocalists born in Detroit were able to pursue their dreams and get their start in the city of Motown. The talents of Betty Carter, Donald Byrd, Yusef Lateef, Paul Chambers, Thad Jones and his brothers Hank and Elvin gained them the respective notoriety that has prevailed over the decades. Kenny Burrell, Alice Coltrane, Barry Harris, Tommy Flanagan, Charles McPherson, and Pepper Adams also made their mark in jazz during this time.

***A Special Time To Remember:

- The Big Band Explosion -

“The Big Band Explosion” – Was celebrated at Wildwood Convention Hall Wildwood, NJ on July 4, 1985. The sell-out crowd enjoyed a one-time experience featuring “The Count Basie Orchestra – Directed by Thad Jones & Maynard Ferguson and his 10piece Orchestra. 

The both bands appeared on the same stage playing their Big Band specialties. As a closing finale, Thad Jones & Maynard Ferguson had a swingin’ jam session that generated a standing ovation in the concert hall